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CAT. 141.  Rota of the Five Sevens and quadripartite historical schema. Drawing from medieval French MS. Early 13th century.

Digital facsimile of Figure 24 (p. 48) in Michael Evans’ “The Geometry of the Mind.” Architectural Association Quarterly 12.4 (1980): 32–55.

CAT. 142.  Rota of the Five Sevens and quadripartite historical schema. Drawing from medieval French MS. 12th century.

Digital facsimile of Figure 25 (p. 49) in Michael Evans’ “The Geometry of the Mind.” Architectural Association Quarterly 12.4 (1980): 32–55.

CAT. 143.  Medallion portrait of engraver, William Marshall (fl. 1617–1649). 19th-century engraving by J. W. Cook, after a design by Lewis. 1862.

Digital facsimile of medallion from plate facing page 839 in vol. 3 of Anecdotes of painting in England; with some account of the principal artists; and incidental notes on other arts. Also, A catalogue of engravers who have been born or resided in England. Collected by the late George Vertue; digested and published from his original mss. by Horace Walpole; with additions by the Rev. James Dallaway. A new edition, revised, with additional notes. By Ralph N. Wornum (London: Henry G. Bohn, York Street, Covent Garden, 1862).

CAT. 144.  Portrait of draftsman and engraver, Robert White (1645–1703). 19th-century engraving by W. H. Worthington. 1862.

Digital facsimile of plate facing page 948 in vol. 3 of Anecdotes of painting in England; with some account of the principal artists; and incidental notes on other arts. Also, A catalogue of engravers who have been born or resided in England. Collected by the late George Vertue; digested and published from his original mss. by Horace Walpole; with additions by the Rev. James Dallaway. A new edition, revised, with additional notes. By Ralph N. Wornum (London: Henry G. Bohn, York Street, Covent Garden, 1862).

CAT. 145.  Medallion portrait of engraver, A. Hertochs (fl. 1652–61). 19th-century engraving by J. W. Cook, after a design by Lewis. 1862.

Digital facsimile of medallion from plate facing page 839 in vol. 3 of Anecdotes of painting in England; with some account of the principal artists; and incidental notes on other arts. Also, A catalogue of engravers who have been born or resided in England. Collected by the late George Vertue; digested and published from his original mss. by Horace Walpole; with additions by the Rev. James Dallaway. A new edition, revised, with additional notes. By Ralph N. Wornum (London: Henry G. Bohn, York Street, Covent Garden, 1862).

CAT. 146.  Self-Portrait as a Gypsy. By Princess Louise Hollandine of Bohemia (1622–1709). 1641.

Digital grayscale facsimile of original oil painting on wood. 73.3 x 59 cm.

CAT. 147.  Simon van de Passe (c.1595–1647). Portrait engraving of Simon’s sister, Magdalena van de Passe (1600-c.1638), at age 30. On a pedestal, in a lettered oval in cartouche with background drapery, held open on left by the goddess Athena, and on right by a female personification of the graphic arts (Sculptura?). The lettering in the oval’s border reads “MAGDALENA DE PAS [·] CRISPIANI FILIA [·] SCULPTRIX CELEBERRIMA: Æt 30.” The engraving is dated 1630 and signed on the bottom edge of the drapery “Simon de Pas sculpsit.” 1630.

Digital facsimile of print.

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